Wednesday, February 29, 2012

The Las Vegas Art Community

An Interview with Olivia Huffman

Last weekend I had a chance to see Olivia Huffman's solo show Now We Are The Advertisment, Adorn Yourself  at Gamma Gamma.  Olivia is currently studying Fine Art at UNLV, she took some time out of her schedule to answer a few questions about her practice and the images in her show.


1eyefuck
Lolita: I came across your work recently while visiting the Emergency Arts galleries. The images in your solo show Now You Are the Advertisement, Adorn Yourself at Gamma Gamma gallery are intriguingly feminist in nature. 
As We Roam


Lolita: Do you consider yourself to be a feminist?
 
Olivia: This is a tricky question; the word feminist has taken on so many different connotations. I believe in aspects, such as female empowerment, not being limited by gender, and not being limited by appearance. 

Lolita: Are we not in an era where there is an equal playing field for both men and women?
 
 
Olivia: No, we definitely are not. During my first job I trained as a sushi chef, this was the only trade I had acquired fresh out of high school. When the owner “let me go” claiming it was due to “lack of business” she had a meeting shortly after telling the sushi chefs it was never in her vision to have females behind the sushi bar. I set out naive, applying to numerous sushi restaurants. The chefs would ask me to demonstrate, and then mock me.
The other occupations, retail at Victoria’s Secret, tutor, hostess, and bartender. These are all gender specific, these all require I dress and behave a specific way. Even when I worked the “masculine” job, I was treated very differently, paid differently, and given specific shifts.

Hairy Lipstick

Lolita: Why do you think it is still important to be addressing issues of feminism in our culture today?

Olivia: Right now our feminine generation is out of whack, majority are boy crazy and promiscuous. Women need to focus more on educating themselves, not just going through the motions of basic schooling, but challenging themselves.  

Lolita: Do you feel women are party to their continued sexual objectification?
Who Wears the Pants

Olivia: We are conditioned through media, toys, clothing, food labels, television shows, everything we absorb through experiences is gender specific. We do have a choice to stop fueling the fire; we have the option of turning off the television, not purchasing the magazines, stopping ourselves from purchasing $200 of make-up, or even lengthening the skirt.
We all have our choices, the prominent choices for my generation are be sexy, be slutty, consume, shop, shop, shop, and party, party, party! There is no push for intelligence; do you think anything on NatGeo will ever get higher ratings than MTV? Do you think it will ever be trendy for women to be a history buff over learning to pole dance? What is more appealing to the opposite sex, having a conversation or knowing how to fuck?
And honestly, one without the other could not fulfill anyone. It is about a balance, currently our culture has peaked in sexuality but there is no education for it. Sex is still taboo, people love to overindulge in things that are “naughty”.


Lolita: How do you think women can gain power over their own sexuality as it is represented in Mass Media? 
Adversexsexsex


Olivia: For centuries women were not allowed to display themselves sexually. Some women posed nude before 1900’s but it is in that century our desire to be sexy established itself.
Currently America has surpassed sexy in advertising and is now in the deep-end. The only difference from current pornography and couture models is, no nip, no lip, and no dick. The poses are reminiscent and the expressions are undoubtedly orgasmic. These women are following suite with the “Third wave feminist movement” they believe that they are in control of their sexuality and are liberated by showing their bodies.

 NOW, this movement was not meant to create a divide between sexuality and intelligence, but it definitely contributed. I believe the only way to counteract this movement is maintain self-respect.
Lolita: Some of your works are images appropriated from magazines others are photographs staged to confront the viewer with preconceived ideas about gender and sexuality. How do you determine in which media your works will be produced?

Olivia: I change my medium on subject and vision. Each conveys a completely different message/ feeling to the audience.  Working with found images is exactly as painting. I search for images that could be paired with others to create a unique composition. When the images give me butterflies it’s followed by an impulse. Majority of my work is finished within a few hours or a week.
Photography on the other hand is meditative, thorough, and meticulous. It is a mystery that I ponder constantly. The shoot of course is totally random, characters develop, mostly improve, its magical.


How Am I Not Myself (1)

Lolita: How does Las Vegas factor into your work?

Olivia: Since I was five years old I remember the Jubilee billboard in front of Bally’s. When I was in first grade I wanted to be a cocktail waitress. When I was nine my babysitter would bring her boyfriend over smoke pot and fuck on my mothers bed. When I was thirteen I gave my virginity away without a thought. I began binge drinking at fifteen because I thought that’s what boys liked. I began stealing AGAIN at 17 because my mother couldn’t afford to buy me clothes, at nineteen I rejected dressing sexy, at 21 I rejected shaving, and at 22 I became engaged, every experience has inspired another.
 Every mistake; Every choice; Every situation has effected my perspective of this city and art is how I chose express it.






How Am I Not Myself (2)
Lolita: Do you have an only in Las Vegas story you could share?

 
Olivia: Only in Las Vegas you are forced to sign a modeling contract to be a cocktail waitress, hostess, bartender, and countless other jobs available on the strip.

Only in Las Vegas do employees throw away glasses people leave around the various casinos, because it is cheaper to purchase more glasses than to pay labor.
 

Only in America are we conditioned to be promiscuous without Sex education.

 
Lolita: The struggle for equal rights began years ago, and some people feel the issues have been settled. Do you think you will see gender equality realized in your lifetime?

Olivia: Along with everything else that needs to happen in our society, I fucking hope so.

Thursday, February 16, 2012

Visiting Artists

Here is the schedule for the visiting artist for the 2012 spring semester.

It is listed on Dr. Kirsten Swenson's blog Contemporary Artists in Context.

This blog is open to the public.  It is a great tool for anyone interested in art today.

Wednesday, February 15, 2012

Visiting Artist

Dike Blair is coming to UNLV tomorrow, 2-16-12,  as part of the visiting artists series.  He has included Las Vegas as a subject matter in his work in the past.

A really nice background article on him was written by Steel Stillman in an Art in America 2009 issue.
Dike Blair with Steel Stillman

Below is an iconic work from 2009.

Untitled, 2009, gouache and pencil on paper, 18 by 24 inches

Sunday, February 12, 2012

Human Experience

Monday's at The Beat Coffee House and Records in Emergency Arts on Freemont is where Human Experience hosts a fabulously funky open mic.  Performers of spoken word, musicians, and perhaps a comedian can be experienced.  One can peek at visual works in the galleries  too.

After the performances are over, Miss Joy moves her spinning talents up the street to the ultra cool Insert Coins where drinks are delicious and video games are the flavor of the day.  Miss Joy will be spinning a special Valentine's set on Monday the 13th.






















Friday, February 10, 2012

The Las Vegas Art Community

An Interview with Mark Mellon 

Mark Mellon, whose work is currently included in Sin City Gallery's  12” of Sin  International Group Show,  answered some questions for me recently.


Lolita: What made you decide to be an artist?

Mark: I don't believe there ever was a moment when I ever had to consider being an artist. I believe I always was. An inherent part of what and who I am. I began to learn and understand the disciplines of being a artist in 1998. There was a moment of decision, to consciously take control of what my voice was as an artist and for many years that had been my struggle. I could not get past the idea that art without a voice, without a meaning, without substance was just not for me and I had no desire to just create art for the hell of it. After years of learning and living life to discover who I actually was, going through trials of depression and other issues I feel I found what I was looking for and literally, one day my voice came to me and I knew where I was going.


Sunday, February 5, 2012

Visiting Artist

I just found David Sanchez Burr will be the visiting artist for this Thursday's class of the same name on the UNLV campus.  These lectures are open to the public.  They begin at 7pm in the CBC building class A112.


You can discover a bit about him when you visit his website.

David Sanchez Burr's website

Map of CBC bldgs on UNLV campus
Main Campus Map

Saturday, February 4, 2012

Culture Shock

I came face to face with a pop culture confusion a few days ago. I was viewing the work of one of my fellow MFA peers, and overheard a few of the others discussing someone's apparent suicide. I had heard of the passing of Don Cornelius and concluded they were talking about his apparent suicide, they were not. They were discussing the apparent suicide of art icon Mike Kelley. 

It was interesting that they had never heard of Don Cornelius and I had never heard of Mike Kelley. I have since looked into Mike.


I was reading posts in an art group on facebook, later and another suicide was mentioned too.  As if I had inner Tourrete Syndrome, the thought crossed my mind 'last night was a good night for suicides'...it should never be a good night for suicides.

The creator of the iconic Soul Train was gone, a labeled bad boy was gone, and so too was the 'good girl' artist Al Rio.

They are all survived by their works.


Don Cornelius/Soul Train clip

Inaugural post

I am starting this blog to discuss current topics in art, both regionally and globally.

Here is a little snippet about the Las Vegas Art scene.

Las Vegas has a real nice grassroots Art scene. There is a section of the city known as 18b, The Arts District. Within that area is The Arts Factory, with it's open house on Preview Thursday and First Friday it is a center for activity. Lots of other events and activities go down throughout the month. I will be keeping you up to date on those too.

Emergency Arts is another hub of creativity all month, Las Vegas artsters abound there.

I went out last night and it was a wonderfully creative night as usual. I intended to show shots, but technology failed me. The possibility exists that I might get some shots from folks who were there.

More to follow later.